Pantomime
The first
Pantomime was performed in England during the 16th Century – the gender role reversal resembles the old
festival of Twelfth Night a combination of Epiphany and midwinter feast, when it was customary for
the
natural order of things to be reversed - hence the emergence of the Pantomime Dame, a man
playing a woman, usually of mature years and the young hero being played by a young girl. A ‘Lord of
Misrule’ was appointed to oversee the festivities and Twelfth Night meant the end of his reign. This
tradition can be traced back to pre-Christian European festivals such as Samhain and Saturnalia.
In 1717 Theatre Manager John Rich introduced the Pantomime to the English Stage, he himself
playing Harlequin (a figure from the Commedia Dell’Arte). The
audience were treated to ‘spectacle’ or ‘special effects’ as we would call them nowadays. The Pantomimes became ever
more topical and comic and soon got competition from Colley Cibber and his company at the Drury Lane
Theatre. There was great rivalry between the two theatres and the companies tried to outdo each other
in who could put on the best Pantomime.
There are a number of set
pieces in a pantomime, such as the leading male character being played by a female. This became very
popular in Victorian England where it presented a fine chance for the men to get a flash of female thigh, in an
age when not even a woman’s ankles were on show and even the legs of the pianos were covered. An older
woman (the Pantomime Dame) is played by a man in drag (female clothing). Risqué jokes and double entendre
are an essential part of any Pantomime and a good Pantomime Dame can make the most innocent phrase sound
dirty. The Pantomime horse or pantomime cow, played by two actors in a single costume, one playing the
head and front legs and the other playing body and back legs, this can either be hilarious or a complete
disaster, depending on the skills of the two actors. Another convention taken from the Commedia Dell’Arte
is the fact that the good fairy enters from the right side of the stage and the evil villain from the left, the
two sides symbolizing heaven and hell.
Nowadays the
visit to a Pantomime is a great family Christmas outing and Pantomimes usually start on Boxing Day and run well
into January. The stuff of modern Pantomime is song, dance, sexual innuendo, slapstick, topical in-jokes and
cross dressing. The villain is hissed and the hero and heroine are cheered and warned (behind
you!).
One of the
traditions of Pantomime is the celebrity guest star and in England a number of well known faces from the TV find
their way into theatres to perform Pantomime for Christmas and many a declining career has been revived. This
tradition was started by 19th Century Theatre proprietor Augustus Harris at the Theatre Royal in Drury
Lane, who hired well known variety artists. This tradition was followed in 2004 when one of our
most
respected Shakespearian actors, Sir Ian McKellen, donned a frock and trod the boards in
the guise of Widow Twankey and repeated the role at the Old Vic Theatre in London in 2005, to the delight of
all.
Plots are often loosely based
on children’s stories and fairytales, i.e. Cinderella, Beauty and the Beast, Snow White, Puss in Boots,
Jack and the Beanstalk, Peter Pan, Aladdin and Ali Baba and the Forty Thieves.
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